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1990
阿飛正傳
Directed by Wong Kar-wai
Synopsis
Yuddy, a Hong Kong playboy known for breaking girls' hearts, tries to find solace and the truth after discovering the woman who raised him isn't his mother.
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- Cast
- Crew
- Details
- Genres
- Releases
Cast
Leslie Cheung Andy Lau Tak-Wah Maggie Cheung Carina Lau Jacky Cheung Hok-Yau Rebecca Pan Tony Leung Chiu-wai Maritoni Fernandez Alicia Alonzo Tita Muñoz Hung Ling-Ling Angela Ponos Danilo Antunes Elena Lim So Mei-Mei Hung Nonong Talbo Chin Tsi-Ang
DirectorDirector
Wong Kar-wai
ProducersProducers
Rover Tang Chan Kwong-Wing
WritersWriters
Wong Kar-wai Jeffrey Lau
EditorsEditors
Hai Kit-Wai Patrick Tam Kar-Ming William Chang Suk-Ping
CinematographyCinematography
Christopher Doyle
Assistant DirectorAsst. Director
Johnnie Kong
Executive ProducerExec. Producer
Alan Tang
Production DesignProduction Design
William Chang Suk-Ping
Special EffectsSpecial Effects
Joe Chu Kai-Sang
ComposerComposer
Terry Chan
SongsSongs
Anita Mui Yim-Fong
SoundSound
Ronny Ching Siu-Lung
Studio
In-Gear Film Production Co. Ltd.
Country
Hong Kong
Primary Language
Cantonese
Spoken Languages
Cantonese Tagalog English Chinese
Alternative Titles
Dias Selvagens, Nos années sauvages, Dni szalenstwa, 阿飞正传, Die Biografie des Rowdys Afei, 아비정전, Ah Fei's Story, A Phi chính truyện, Ah Fei jing juen, 欲望の翼, Días salvajes, Дикие дни, Vahşi Günler, Οι Άγριες Μέρες μας, Щури дни, Dni naszego szaleństwa, Дикі дні, Ah Fei Zing Zyun, Vadító szép napok, Días de ser salvajes, A Phi Chính Truyện, ველური დღეები, روزهای وحشی بودن, ימי הפרא, วันที่หัวใจรักกล้าตัดขอบฟ้า
Genres
Drama Romance Crime
Themes
Moving relationship stories Tragic sadness and captivating beauty Captivating relationships and charming romance Erotic relationships and desire Powerful stories of heartbreak and suffering Emotional teen coming-of-age stories Show All…
Releases by Date
- Date
- Country
Premiere
23 Feb 1991
- Germany12Berlin International FilmFestival
13 Mar 1991
- USANRNew York City, NewYork
Theatrical limited
25 Jun 2018
- China
07 Mar 2021
- Thailand
Theatrical
15 Dec 1990
- Hong Kong
22 Dec 1990
- South Korea15
- Taiwan
12 Nov 1991
- ItalyT
06 Mar 1996
- FranceU
29 Apr 2010
- Greece
Physical
26 May 2005
- France
31 Mar 2006
- Brazil18
22 May 2009
- Netherlands6
12 Jul 2023
- France
Releases by Country
- Date
- Country
Brazil
31 Mar 2006
- Physical18DVD
China
25 Jun 2018
- Theatrical limited全国艺术电影放映联盟专线上映
France
06 Mar 1996
- TheatricalU
26 May 2005
- PhysicalDVD
12 Jul 2023
- PhysicalBlu-Ray & 4KUHD
Germany
23 Feb 1991
- Premiere12Berlin International FilmFestival
Greece
29 Apr 2010
- Theatrical
Hong Kong
15 Dec 1990
- Theatrical
Italy
12 Nov 1991
- TheatricalTCinemaGiovani
Netherlands
22 May 2009
- Physical6DVD
South Korea
22 Dec 1990
- Theatrical15
Taiwan
22 Dec 1990
- Theatrical
Thailand
07 Mar 2021
- Theatrical limited4KRestoration
USA
13 Mar 1991
- PremiereNRNew York City, NewYork
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Popular reviews
More-
Review by john ★★★ 1
break Maggie Cheung's heart again and i'll break your fucking ankles
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Review by Filipe Furtado ★★★★★ 5
"At one minute before 3pm on April the 16th, 1960, you're together with me. Because of you, I'll remember that one minute. From now on, we're friends for one minute. This is a fact, you can't deny. It's done"
No wonder Wong's characters are so attached to the moment, they can at best long for a past or future.
-
Review by Lise ★★★★½ 46
Having seen and loved 2046 and In the Mood for Love, I was excited about finally seeing the first of the trilogy. I expected it to be good, but not as good as the other two. Well, it turns out I was right, but just barely.
Wong Kar-Wai is the master of loneliness and longing. No one does it better. It is not the easiest thing to film, this inner life, but he does it brilliantly. One of his ways is to show rain. He doesn't use rain in that typical way where the character is looking out the window at the bleakness of it all. He doesn't do it to set a tone or a mood. He does it…
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Review by davidehrlich ★★★½
“I used to think a minute could pass so quickly. But actually, it can take forever.”
The Big Bang of the Wong Kar Wai Cinematic Universe (WKWCU), “Days of Being Wild” sketches so many of the elements that later became signatures. It starts with the people: Carina Lau’s Mimi/Lulu, Tony Leung’s Chow Mo-wan (introduced primping himself in the film’s ecstatically uncontextualized final shot like a glimpse of the future), and Maggie Cheung as Su Li-zhen, but a different Su Li-zhen than the one she’d play in “In the Mood for Love” a decade later (or maybe the same woman, snow-globed inside the Hong Kong of the early ’60s as the rest world spins forward without her). Most unvarnished and bittersweet…
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Review by Sean Fennessey ★★★★½ 8
The final 20 minutes remain breathtaking and disorienting. There are two forms of intoxication: total recognition and utter bewilderment. Wong is the only filmmaker who can create both sensations at the same time.
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Review by Josh Lewis ★★★★
Dead from the beginning.
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Review by stevie ★★★½ 2
The movie is called "Days of Being Wild" but all they do is just like stand in the rain and cry.
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Review by SilentDawn ★★★★½ 6
89
Imprints of a pitiful and empty existence with no past, and no future. All that's available is the ticking perpetual bomb of 0 to 60 seconds. The time we are able to recognize, maybe even see and feel. But then it resets, and we lose sight of it, gone into the night.
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Review by matt lynch ★★★★★ 5
"We really didn't know each other that long."
All buses stop here.
-
Review by esther ★★★½
imagining the version of In The Mood For Love that follows Mimi instead and she just immediately fucks Tony Leung with no preamble
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Review by Peaceful Stoner ★★★★★ 73
“ I’ve heard there’s a kind of bird with no legs. All it can do is fly and fly. And when it gets tired it sleeps on the wind. This bird can only land once in its whole life.”
Nothing describes better the series of beautiful films that Wong Kar-wai has made than this piece of poetic philosophy. When you, I or anybody experience the sheer magic of these works and then take a moment to understand what it has all been about, the result of a careful observance would be the enlightenment of the flightless bird.
We are all flightless birds who go through the motions of life waiting all the while for the indescribable enigma of the elusive…
-
Review by Shane McAvoy ★★★★½
Tony Leung showing up in the final two minutes is Wong’s Nick Fury post-credit scene.
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